Historic and Contemporary Images of Brighton and Hove
Based on the Regency Society James Gray Collection
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GRAND AVENUE

Grand Avenue

Neighbourhood:
Central Hove, Goldsmid
1920s
2018

James Gray: An aerial photograph taken in the early 1920s. It seems evident from the layout of the gardens in Grand Avenue that the original intention was to have an inner road on the west side corresponding with that on the east. With one exception (Downbarton, built in 1914), the west side was not developed until after the 1914-1918 War. By then the idea of having a comparable inner road had been abandoned in favour of houses with large individual front gardens. jgc_12_001

2018: The 1920s aerial view of Hove seafront centres on what is now King’s House – first known as the Prince’s Hotel after its owner, apparently a Mr Prince, (so much for royal connections!). To the left can be seen the grandiose and only partially successful development of Grand Avenue, with the oversized plots on the western side proving hard to sell for single homes – but all too tempting for developers in the 1960s and 1970s.

Images jgc_12_007 to 012 and jgc_13_087 (all Grand Avenue) tell this story in greater detail. To the right, the fine buildings between Second and First Avenues, also shown in image jgc_12_ 026 (Kingsway 1), suffered redevelopment as Kingsway Court in the 1960s. Happily, the gardens in front have survived for the enjoyment of all. (Photographer: David Sears) 

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c1920
2018

James Gray: View from the other end of the Avenue, about 1912, before any houses were built on the west side. Note again the huge mansion, No. 4, and imagine how many servants it must have needed to look after it. jgc_12_002

2018: Images 12_002 and 13_081 show the south-eastern end of Grand Avenue before the western side was developed and before No 4 was redeveloped, taken from an upper floor window of Grand Avenue Mansions and from the roof of a building in Church Road, just behind Grand Avenue Mansions, respectively.

High-rise flats now obstruct the view – and the corresponding street level images, with the trees now in full bloom and with cars parked wherever possible, do not do them justice. Happily, the Prince’s Hotel, now King’s House, survives, under yet another ownership and use, and provides an enduring landmark on Hove seafront. (Photographer: David Sears)
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1907
2018

James Gray: A view of Grand Avenue from the roof of a building in Church Road, 1907. Note the long empty space on the west side of the Avenue, the houses of which were built many years after those on the east side. jgc_13_081

2018: Images jgc_12_002 and jgc_13_081 show the south-eastern end of Grand Avenue before the western side was developed and before No 4 was redeveloped, taken from an upper floor window of Grand Avenue Mansions and, in this case,  from the roof of a building in Church Road, just behind Grand Avenue Mansions. 

In 2018, high-rise flats now obstruct the view – and these corresponding street level images, with trees in full bloom and many cars parked, do not do them justice. The Prince’s Hotel building, now known as King’s House, survives and provides an enduring landmark on Hove seafront. (Photographer: David Sears)
 
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1923
2018

James Gray: A view of Grand Avenue from within the private gardens of the West Estate Brighton Company. On the east side can be seen the imposing mansion, No.4, which was originally occupied by one family. Later it was used as a residential club before being demolished and replaced by the present luxury flats which bear the same number.  jgc_12_003 

2018: As in image jgc_11_118 which was taken in the early 1900s, this James Gray picture of 1923 shows the statue of Queen Victoria dominating the southern end of Grand Avenue, Hove’s widest road. The statue was designed by Sir Thomas Brock after her Diamond Jubilee in 1897 but not unveiled until February 1901, a few weeks after her death.  In 1923 the uneven development of Grand Avenue can be seen, with yellow brick mansions on the right and at the far end on the left, interspersed by red brick ‘Surrey vernacular’ buildings with distinctive triangular window arches. By 2018 the whole road has been substantially redeveloped with blocks of flats from different eras dominating the scene. The empty plots on the west side of the  1923 image were infilled with flats in the 1940s. On the east side, the art deco/modernist development now at No 4 was listed Grade II in 2002. It was built in 1939 and is still regarded as ‘luxury flats’. (Photographer: David Sears)

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1921
2018

James Gray: This and the following photograph are self-explanatory; both show the early life of Hove’s War Memorial in Grand Avenue. In each case the view is due west to Grand Avenue Mansions.  jgc_12_004

2018: The war memorial in Grand Avenue was designed by the famous British architect Sir Edward Landseer Lutyens. It stands just south of the junction with Church Road.  Jgc_12_004 shows the unveiling of the memorial on 27 September 1921 and 005 shows the annual laying of wreaths ceremony in 1924. (Photographer: David Sears)

1924
2018

James Gray: Laying wreaths at the War Memorial. jgc_12_005

2018: Image jgc_12_004 shows the unveiling of the war memorial in Grand Avenue, just south of the junction with Church Road, on 27 September 1921.  The 1924 image here, taken three years later, is of the annual laying of wreaths. In both this image and jgc_12_004, Grand Avenue Mansions, built in 1883 as the first purpose-built flats in Hove, can be seen in the background.

The flats were all suitably grand with only two apartments per floor. Each bathroom was said to have originally had three taps – one for hot, one for cold and one for sea water pumped from a tank beneath the lawns. In the early 1980s, the enormous flats were divided into smaller units but the exterior remains unchanged. (Photographer: David Sears)

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1959
2018

James Gray: Grand Avenue was for many years the showpiece of Hove. 19th century mansions on the east side were matched by equally imposing 20th century houses on the west. Here are three such houses, still standing in 1962, but all threatened with early demolition to be replaced by blocks of flats. This photograph shows Garbrand, 16 Grand Avenue. Built 1925 for Miss M.A. Willis. Photographed 10 May 1959. jgc_12_007

2018: The 1959 image shows a large house at No 16 Grand Avenue, bridging the gap in architectural style between the rustic vernacular style of No 17 (jgc_12_010 and 011) and the early 20th century ‘ultra-modern’ and lavishly appointed style of No 15 – of which the ornate hexagonal conservatory is visible on the right-hand (north) side. The houses in the background are on Third Avenue. In the early 1960s, No 16 and its immediate neighbours were demolished and in 1965 Victoria Court, the block of flats in the 2018 image, was completed. It was designed by the British architect Owen Luder CBE who built many controversial buildings in the Brutalist style in the 1960s and 70s.   (Photographer: David Sears)

1959
2018

James Gray: 19 Grand Avenue, built 1924 for Mr. A. Carlish. Photographed 10 May 1959. jgc_12_008

2018: No 19 Grand Avenue stood at the southern end of the west side of Grand Avenue, with the tall red-brick, seafront-facing buildings of King’s Gardens on the left. The backs of the large west-facing mansions on Third Avenue are visible behind No 19 in the 1959 photograph.

Along with five other early twentieth century buildings on this side of Grand Avenue, No 19 was demolished in the late 1960s to make way for modern flats: the southernmost tower of Ashley Court now stands on the site. A few decorative pillars, hidden here by parked cars, are all that is left of the earlier building. (Photographer: David Sears)

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1962
2018

James Gray: Downbarton, 18 Grand Avenue, the oldest house on the west side. Built 1914 for Mr. T. Pocklington. Photographed 7 October 1962. jgc_12_009

2018: This was the first house built on the on the west side of Grand Avenue and it was a further ten years before the remaining  five large plots on this side were developed in the 1920s.

The differences in style between No 18 and its later neighbours – full-blown vernacular style at No 17 (jgc_12_010 and 011) and slightly more modern at No 19 (jgc_12_008) – are obvious. Nos 18 and 19 were both demolished in the late 1960s, as were the other three private houses on the west side of Grand Avenue. The site of No 18 became the base for the northerly tower of the two linked blocks of flats known together as Ashley Court.  (Photographer: David Sears)
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1964
2018

James Gray: Two photographs (this one and following) of Felhurst, 17 Grand Avenue, in May 1964. This house was built in 1924 for Mr George A. Smith, and was at first called St. Barchans. It was demolished in July 1965, and replaced by the present flats. jgc_12_010

2018: This and image jgc_12_011 both show Felhurst, No 17 Grand Avenue, just before its demolition. It has been replaced by Warnham Court, the block of flats in the 2018 picture. No 17 was a double-fronted property in a semi-rustic vernacular style which stood halfway along the western side of Grand Avenue. Nos 15, 16, 17, 18, 19 and Coombe Lea (jgc_13_087 below), were all demolished in the mid-1960s and replaced by flats. The architectural style of Warnham Court is the same as its neighbour Ashley Court which occupies plots 18 and 19, suggesting that the same developers were responsible for both. (Photographer: David Sears)

1964
2018

James Gray: See caption for jgc_12_010 above.  jgc_12_011

2018: This and jgc_12_010 both show No 17 in 1964, the year before its demolition in 1965.  (Photographer: David Sears)

1964
2018

James Gray: This view shows the last remaining single house on the west side, Fyfteen, now dwarfed by the blocks of flats on either side. jgc_12_012

2018: In 2018 a block of flats called 15, Grand Avenue has replaced Fyfteen which was said to have been the most lavishly decorated of the six very large 20th century houses on the west side of Grand Avenue.

The hexagonal conservatory with its own flagpole to the left (south) of the main building can also be seen in jgc_12_007 above. The houses to the rear are in Third Avenue. To the right, in the original image, is the side of the (then) recently built block of flats named Coombe Lea after the older building which they replaced (see jgc_13_087 below) in 1958. In 2018 the ochre coloured decorative tops of the pillars and low brick front walls of its front boundary are all that remains of old Coombe Lea.  (Photographer: David Sears)
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1914-18
2018

James Gray: A photograph of the 1914-1918 War. A charabanc load of convalescent Indian soldiers by the Queen Victoria statue in Grand Avenue. Probably they had come from their Hospital quarters in the Royal Pavilion. The bowler hatted civilian at the front was Mr. J. Hutchinson, Traffic Manager of Thomas Tilling Ltd who then operated motor buses in Brighton and Hove. jgc_13_045

2018: The original image is incorrectly captioned, as this statue of Queen Victoria is at the southern end of Grand Avenue, at its junction with Kingsway. Sadly, large charabancs are no longer available to replicate this striking image. However, as with similar images jgc_11_118 and 12_003, the main interest lies in the background, with the uneven development of Grand Avenue clearly visible. The yellow-brick building on the right is the side extension of King’s House. Beyond that is the tall block of flats with the prestigious address 1 Grand Avenue. No 2 remains untouched. No 4 is now seen as gracious restoration. The red-brick buildings with triangular gables at the northern end provide a further contrast in architectural styles.  (Photographer: David Sears)

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1958
2018

James Gray: 200 yards to the south was this house, in Grand Avenue. Much more modern, of course, it was the last house built by Willetts for a Mr Duff. This was a fine well-appointed house, with a large formal garden, which had a short life of only 30 years, being demolished in November 1958. Date of photograph: May 1958. jgc_13_087

2018: Only the name remains of Coombe Lea, the house at 14 Grand Avenue shown in the 1958 image.

The James Gray caption compares Coombe Lea with an earlier and more ornate Victorian mansion on the other side of Church Road at 18 The Drive (jgc_13_086). Both were demolished to make way for flats in the late 1950s. The modern image shows the new block of flats, also named Coombe Lea, sandwiched between the modern block at No 15 to the left (south) and, just out for sight, the much older Grand Avenue Mansions to the right (north). (Photographer: David Sears)

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c1900
2018

James Gray: Looking up Grand Avenue, from Kingsway, obviously not long after the erection of the statue of Queen Victoria, early 1900s. Note the baby carriage. jgc_11_118

2018: This gracious image taken at the turn of the century can be compared to image jgc_12_003 (above) taken some 20 years later. Both show the statue of Queen Victoria designed by Sir Thomas Brock, unveiled in February 1901 shortly after her death. The statue still dominates the southern end of Grand Avenue. In the background to the right (east) is the distinctive outline of the Prince’s Hotel, now King’s House, and a series of large yellow-brick mansions leading back to the red-brick vernacular buildings with triangular window arches at the far end. (Photographer: David Sears)

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1938
2018

James Gray: The large mansion properties, 3 – 5, Grand Avenue, in course of demolition in late 1938. The present large block of flats, opened during 1939 replaced them. At this period the grass was enclosed, being reserved for the sole use of the residents. jgc_14_002

2018: 3-5 Grand Avenue has been demolished. In its place now stands a block of flats, 4 Grand Avenue. 4 Grand Avenue flats have a notable plaque over the entrance. The grass area in front of the flats is now public and un-fenced. There is a road between the grass and the flats and houses. (Photographer: Alison Minns)

1900-20
2019

James Gray: Unknown ceremony at Queen Victoria’s statue. jgc_11_184

2019: No comment. (Photographer: Helen Glass)

Historic and Contemporary Images of Brighton and Hove
This website has been prepared by the Regency Society of Brighton and Hove. All historic maps are provided with kind permission of the National Library of Scotland (https://www.nls.uk/) regencysociety.org

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